![]() We welcome papers on fandom, including fan texts, fan curation practices, online fandom, and commentary around serialized narratives. How do influencers and content creators utilize elements of seriality to craft videos and develop audiences? From finding serialized elements in music commentary channels to watching a creator’s curated video series of Amazon recommendations. Youtube, TikTok, and more! From beauty channels to the drama channels that cover them. How is serialization harnessed by contemporary storytellers across film (including film franchises like the Marvel Cinematic Universe), television (from limited episodic series like The Crown to Bridgerton and everything in-between), and streaming media? Serialized Narratives across Film, Television, Streaming, and Online Entertainment Series We welcome work on seriality and serialized storytelling across platforms and mediums. From video game franchises to podcasts to social media-based storytelling, we find elements of serial narrative everywhere. Papers can explore queer temporality, cross-textual seriality, and more.Ĭommercial serial narratives are abundant in contemporary media. We welcome works focused on how serialized narratives can queer time and space. While papers on all aspects of periodical studies will be considered, we are especially interested in work focused on seriality. We especially welcome works that focus on how professional wrestling utilizes seriality.Īs seriality is a key feature of the periodical, we welcome papers focused on periodical studies. We are interested in papers on all aspects of professional wrestling including writing about fantasy wrestling and e-federations. Professional wrestling is the storytelling medium perhaps most often compared to the “traditional” soap opera. We are also interested in papers exploring the global broadcasting and popularity of English Language soaps. We welcome studies of international forms of meditated serials, including telenovelas, Asian dramas, and more. Possible Areas of Investigation Include, but are Not Limited to the Following:įrom Days of Our Lives to Emmerdale, from Hollyoaks to Home and Away, we are interested in works on all aspects of both English language soap operas currently on the air and legacy soaps that are no longer being produced but made substantial contributions to television history. If you are interested in additional forms of participation, please email the area chair. A presenter may deliver only one formal paper at the conference but may also participate in other ways, such as chairing a panel. ![]() Please reach out to the area chair for more information on themed panels. For themed panels, each presenter must enter their own presentation. ![]() For individual papers, you will submit a title and abstract of 200-words or less. On the conference website, begin by creating an account and crafting your submission. If it encourages you to follow the story or characters into the next episode, we want to hear about it!Īll perspectives and methods of inquiry are welcome, including interdisciplinary examinations of seriality as a narrative form and considerations of its impact and usage across multiple forms of discourse. The Soap Opera and Serialized Storytelling area welcomes submissions that address soap operas, other serialized narratives that share this unique and vital structure, and cross-genre comparative work. Soap operas, wrestling, periodicals, reality television, comic books, literature, video game and film franchises, vlogging, sports, advertising campaigns, and now even politics and political journalism have harnessed the power and popularity of the serialized form to build and sustain audiences in our increasingly fractured media landscape. ![]()
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